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L i s t e n

You can listen to selected recordings in the listening section.

 

U P C O M I N G

latitude, for flute, contrabass clarinet, viola, violoncello, percussion and piano.

      •   May 20th, 2014: Talea, Roulette, New York.


the Closeness of Materials, for alto saxophone and accordion.

      •   June 18th 2014: Ensemble Lux:nm,
       Forum Kunst und Architektur, Kopstadtplatz - Essen, Germany.


new piece, for orchestra.

      •   October 4th, 2014: the Scottish BBC Symphony Orchestra,
       conducted by Ilan Volkov, Glasgow, Scottland.


longitude, a new chamber opera in collaboration with Ensemble Adapter, Halldor Ulfarsson, Davyde Wachell and Angela Rawlings, Fall 2014.

      •   September 17th, Ultima Festival, Oslo, Norway.
      •   December 13th, de Bijloke, Ghent, Belgium.
      •   Other dates will be announced soon.



 
 

C u r r e n t

Selected scores are now distributed through Schott Music's Project Schott New York platform.

A new recording of my orchestra piece on Sense and Subjectivity, performed by the Icelandic Symphony Orchestra, Ilan Volkov Conductor.

A new recording of longitudinal study #1 , performed by loadbang.

a Guide for the Dead through the Underworld, performed by ensemble adapter, available on Carrier Records, co-produced by Deutschlandradio Kultur.



Hardcopy or electronic download available directly from Carrier Records and download only from iTunes and Amazon.

 
 

R E C E N T

longitudinal study 2, for 18 strings.

      •   April 2014: Icelandic Symphony Orchestra, Tectonics, Reykjavik.


on Repetition and Reappearances, for string quartet.

      •   April 25th: Mivos Quartet, Constellation Series, Chicago.


the Closeness of Materials, for alto saxophone and accordion.

      •   September 2nd 2013 (concert 1): Ensemble Lux:nm, Ankunft: Neue
       Musik, Berlin Hauptbahnhof
      •   September 2nd 2013 (concert 2): Ensemble Lux:nm, Ankunft: Neue
       Musik, Berlin Hauptbahnhof
      •   September 15th 2013: Ensemble Lux:nm, intersonanzen Festival,
       Potsdam, Germany
      •   January 15th 2014: Ensemble Lux:nm, Unerhortes Brandenburg,
       Brandenburg, Germany


on Repetition and Reappearances, for string quartet.

  forthcoming on Mivos's CD "Reappearances", out on Carrier Records in
       the fall of 2013.
      •   August 3rd 2013: Mivos Quartet, Asphalt Festival, Dusseldorf, Germany
      •   August 4th 2013: Mivos Quartet, Asphalt Festival, Dusseldorf, Germany
      •   October 1st 2013: Mivos Quartet, St. Peter's Church, Chelsea, NY
      •   October 24th: Mivos Quartet, Ryogoku Monten Hall, Tokyo, Japan
      •   October 28th 2013: Mivos Quartet, Sonic Anchor Series,
       Hong Kong Arts Center, Hong Kong
      •   Late November 2013: Mivos Quartet, TBD, NY


on Sameness and Similarities, for flute, alto saxophone cello and percussion.

      •   october 16th 2013: the Hartt School, Hartford, Connecticut


the Principals of Order, for bass clarinet, harp and percussion.

      •   november 16th 2013: ensemble Adapter, SWR, Stuttgart, Germany


January 2013: Artist in Residence at EMPAC, RPI, Troy, New York.

February 2012: on Types and Typographies, winner of loadbang's 2012 call for scores. A new commission for spring 2012.

May 2012: Residency at the Watermill Center, Watermill, New York.

2011 - 2013: Schloss Solitude Artist Residency, Solitude, Stuttgart, Germany.

work in progress preview for untitled opera project, for flute, bass clarinet, cello, piano, percussion and electronics.

      •   June 1st 2013: the Industry LA / Wild-Up, First Take Opera Workshop,
      Hammer Musem, Los Angeles


on Repetition and Reappearances, for string quartet.

      •   May 10th 2013: Mivos Quartet, Aldeburgh Festival, UK
      •   January 18th 2013: Mivos Quartet, South Oxford Space, Brooklyn, NY


the Principals of Order, for bass clarinet, harp and percussion.

      •   March 8th 2013: Ensemble Adapter, Stanford University, California
      •   March 10th 2013: Ensemble Adapter, UCSB, Santa Barbara, California
      •   March 12th 2013: Ensemble Adapter, UCSD, San Diego, California


on Types and Typographies, for trumpet, bass flute and bass clarinet.

      •   March 26th 2013: Trio 3r, Deutscher Musikwettbewerb 2013,
      Liederhalle Stuttgart, Germany


longitudinal study #1, for voice, trumpet, trombone and bass clarinet.

      •   April 26th 2013: Loadbang, DiMenna Center, New York
      •   March 8th 2013: Loadbang, Tufts University, Boston


on Types and Typographies, for flute, clarinet and trumpet.

      •   February 3rd 2013: Caput, Dark Music Days, Reykjavik, Iceland


on Sense and Subjectivity, for orchestra.

      •   January 31st 2013: Icelandic Symphony Orchestra, Dark Music Days,
      Reykjavik, Iceland




the Negotiation of Context - A, B & C, for two pianos, two bass drums and pedal organ.

      •   January 14 - 18 2013: Yarn Wire, Recording Residency, EMPAC, Troy,
      New York


the Negotiation of Context - A, B & C, for two pianos, two bass drums and pedal organ.

      •   December 18th 2012: Yarn Wire, Roulette, Brooklyn


on Types and Typographies, for flute, clarinet and trumpet.

      •   July 6th 2012: ensemble mam.manufaktur fur aktuelle musik,
      Lange Musik Nacht, Gesellschaft fur Neue Musik Munster, Munster,
      Germany


Monday Morning, (installation version).

      •   June 14-16 2012: Horch!Listen! Schloss Solitude, Stuttgart, Germany


staging study for untitled opera project, installation view.
in collaboration with Halldor Ulfarsson and Davyde Wachell.

      •   June 1st, 2012: Watermill Center, Watermill, New York, USA


the Closeness of Materials, for alto saxophone and accordion.

      •   February 2012: Ensemble Lux:NM, Eichstadt, Germany


the Failure of Surface, for piccolo and bass flute.

      •   January 2012: Áshildur Haraldsdóttir & þuríður Jónsdóttir,
      Dark Music Days, Reykjavik, Iceland


the Negotiation of Context - C, for solo piano.

      •   January 2012: Tinna þorsteinsdóttir & Frank Aarnik, Dark Music Days,
      Reykjavik, Iceland